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Trine Bumiller

Trine Bumiller

March 2018 at Gallery 81435

Trine Bumiller explores the relationship between memory and experience through paintings and installations that balance on the edge of both abstract and environmental concerns.  She has a BFA from Rhode Island School of Design and studied in Rome with the European Honors Program. 

Trine has had many exhibitions both nationally and internationally. Solo shows include the McNichols Building in Denver, the University of Wyoming Art Museum, the Las Cruces Museum of Art and most recently at the International Arts Festival of Sarajevo in Bosnia and Herzegovina. She has received grants from Colorado Council on the Arts and Colorado Federation of the Arts and been an artist in residence at Yaddo, Denali National Park, and Rocky Mountain National Park. Her work has been reviewed in Art in America, artltd., ArtNews, the New Art Examiner, the Christian Science Monitor, the Denver Post, and Westword. She is on the board of Denver Art Museum’s DAM Contemporaries.

Trine’s large-scale public art can be seen at the Colorado Convention Center, the Four Seasons Denver, the Peninsula Hotel Hong Kong and the University of Colorado and many other places. She is represented by Robischon Gallery, Denver, Markel Fine Arts, New York and Zg Gallery, Chicago.

Learn more at www.trinebumiller.com

Nancy B. Frank

Nancy B. Frank

"What amazes me most about the partnership with a horse is that they allow us on their backs, but that is exactly what creates the tension in my paintings; the partnership between equine and human.  The images are larger than life yet intimate, and hopefully, capture the beauty and power and grace of the horse, yet the horses are bitted and bound with reins.  The human factor is always present, but never within the frame except for perhaps a suggestion. It is the special agreement and the spirit of both which make the paintings shine with light and life."

Flair Robinson

Flair Robinson

Be Unbroken is Flair Robinson's newest large-scale installation highlighting the healing power of the natural world. "Many people are in a state where the world feels broken. When we separate ourselves from nature, we are not at our best. Being out there in it is being whole." Robinson's imagery, colors, and environment remind us not only of our universal place, but also the confluence of the earthly and the eternal. A vibrant orange coyote anchors the installation as the guardian and harbinger. The cleansing rain, the attentive moon, the persisting waterfall, and other symbolic images unify to create an atmosphere both grounding and mystical. Although a personal journey for the artist, Be Unbroken carries a resonant and timely message.

Margaret Rinkevich

Margaret Rinkevich

Margaret’s work develops intuitively.  It is composed of a confluence of multiple sensations drawn from her own experiential landscape.  There is an all-consuming mental grind in the creative process, and her objective is to achieve visually arresting images.  The goal in this series is to make the apparently simple relationships of form and color charged with as much force, feeling and meaning as possible.

Micheline Klagsbrun

Micheline Klagsbrun

On a simple level, Micheline Klagsbrun began with the intention to display side-by-side work done in her East Coast studio with work done here in Telluride. She has always been interested in the sense of place in art. At a deeper level, Klagsbrun is also fascinated by the parallels that can be found between cultures widely separated by time and geography.

Dabbs Anderson

Dabbs Anderson

“There is an undeniable sense of danger and power in using fire to create a drawing; and there lies a grotesque, but grounding, beauty in using bacon to create a painting. Perhaps the combination of the two is American.” Anderson is interested in the way environments and their people shape how one interprets their experiences. Oscillating between energetic moments of inspiration and long periods of study and focus is essential to Anderson’s practice. Sketches and drawings from travels formed with careful but emotional mark making weave a history of journey among the creatures.

Betsy Chaffin

Betsy Chaffin

Next Move is inspired by an Albert Einstein quote, “Life is like a bicycle.  To keep your balance you must keep moving.”  This work demonstrates some of my “moving”--- recent visual exploration to continue developing my vocabulary and sensibility.  Abstracted shapes mingle with more figurative elements and old ideas and concerns struggle to find new expressions. The paintings are metaphors for past experiences and memory.

Rebecca Harrell

Rebecca Harrell

Rebecca Harrell’s work is rooted in an interest in evolving landscapes, human interventions with the natural world, and geologic formations. She is interested in the contrast between slowly evolving natural forms and rapidly expanding, urban settings. The result is a visual dialog around scale, source imagery and space. Harrell exaggerates that tension through material and formal choices.

Karen Wippich

Karen Wippich

March 1, 2017 - May 30, 2017

I have often heard that an artist has to have a good story to go with their work. My paintings tell their own story. They are rich in history. Layers of images. Every viewer sees something, their own story, a relative, a friend and that is what I think attracts them to my paintings. If someone asks me what one of my paintings is about, I say, “you tell me”. When I paint I feel alive and free. For a few hours nothing else matters. My hope is that my paintings can make the viewer feel that way too, if even for a moment.

Chris Roberts - Antieau

Chris Roberts - Antieau

February 1, 2017 - February 28, 2017

The colorful, humorous, and hopeful fabric works of New Orleans artist Chris Roberts-Antieau are coming to the Telluride Arts District for Mardi Gras season. Antieau’s subject matter ranges from joyfully candid cultural commentary depicting unbelievable true stories (such as James Brown’s Funeral: And The Tragic Aftermath) to more personal reflections on nature, perception, reality and truth. Antieau further explores her interests through sculpture and installation, creating elaborate dollhouses of famous murder scenes and elegant gowns embroidered with birds of prey eviscerating small animals. 

Emily Palmquist

Emily Palmquist

November 30, 2016 - January 31, 2017

Emily Palmquist’s newest series is composed of those very bones, an intimate observation of the mesa she has inhabited for the passing of nearly three winters. The seasons transform with the interchange of birds and wildflowers, the various state and movement of water, a hen’s first egg and her last feather. Winter leaves the fence lines buried up to their ears slowly emerging with spring. Summer’s leaves turn brown and dry just in time for the winds of fall to blow them bare. The days are stitched together with tracks in the snow, rain clouds pulling low against the valley, and another dead vole at my threshold. 

Rosemerry Trommer & Jill Sabella

Rosemerry Trommer & Jill Sabella

October 5, 2016 - November 29, 2016

For two years artist Jill Sabella and poet Rosemerry Wahtola Trommer experimented with simplicity—a leaning toward less and the more that blossoms out of it. They took turns sending each other work to respond to. The result: 45 intimate pairings, in which three-line drawings and three-line poems reflect each other. Some are framed individually and others are framed as triptychs. The result: Elegant. Provocative. Inviting. Poignant.  

The artwork began with charcoal thoughts, and later the same drawings were done on rice paper with Sumi ink and brush.  

 In addition to the framed artwork, the pairings have been made into a book, even now (Lithic Press, 2016).  

 The show runs thru November 2016 at Gallery 81435, located at 230 S Fir Street in Telluride, Colorado. Open daily from 12-6pm or by appointment.   

 

Ryan Cronin

Ryan Cronin

July 3, 2016 - October 4, 2016

“What interests me is using color to steer the eye across the plane. I present the subject, but the meaning is not dictated, that is left to the viewer. I look to find that perfect balance, where less is more.”  

 For over two decades, Artist Ryan Cronin has been using Rust-Oleum paint to create his own unique iconography. His work has been described as Pop that teeters between Abstract and Representational. It is a mashup of high and low culture, driven by a deep sense of color and placement. It's large-scale, bold, and marked by his signature gloss finish. It is accessible and emotional, with a playful edge.  

 Cronin has exhibited his work in galleries, museums, and art fairs throughout the United States and has completed several large-scale murals including the silo at Tuthilltown Spirits/Hudson Valley Whiskey and a mural in Wynwood during Art Basel. In May of 2015 Ryan and his wife Melanie opened a gallery in New Paltz, New York. The gallery features a mix of Cronin’s original works, museum quality prints, sculpture, and a line of wares designed by Cronin. 

 Cronin was born in 1972 on the front seat of a late 60’s Plymouth station wagon. He made a bold entrance into this world and he has kept his family, friends, and fans on their toes ever since. From as far back as he can remember his father told him “you can be the garbage man, you can be the president.” These words stuck with him and shaped him into the artist he is today. 

 The show runs until August 30, 2016 at Gallery 81435, located at 230 S Fir Street in Telluride, Colorado. Open daily from 12-6pm or by appointment.   

Link to Artist Page

 

Steven Derks

Steven Derks

June 1, 2016 - July 2, 2016

Steven Derks’ exhibit, “Remnant Aluminum Sculpture,” is composed of constructivist inspired aluminum wall sculptures, which juxtapose the lyrical with the mechanical. Derks’ intention with this work is to make sculpture that represents fragments of industrial or mechanical apparatus. “I’m interested in the post-industrial aesthetic and the tension between regular geometries and irregularity.” The artwork is intended to suggest remnants of painted machines. 

Steven Derks is a practicing full-time, self-taught artist focusing primarily in metal sculpture with an emphasis on as-is found object art, as well as a minor practice in non-objective painting and photography. His work can be found in numerous public, corporate, museum and private art collections both in the United States and abroad. His most notable showcases include a six-year exhibition in the Oval Office during the Clinton administration, and an ongoing residency exhibit at the University of Arizona Bio 2 in Oracle Az. He maintains a prolific studio practice that is influenced by such artists as Jim Dine and Sir Anthony Caro.  

The show runs until July 5th, 2016 at Gallery 81435, located at 230 S Fir Street in Telluride, Colorado. Open daily from 12-6pm or by appointment. 

Link to Artist Page

Tania Dibbs

Tania Dibbs

March 2, 2016 - May 20, 2016

“I have never considered man to be separate from the environment, either physically or spiritually. All aspects of life and existence are intertwined and interdependent, an idea that was only confirmed by my study of biology in college. A reverence and concern for the planet is not a concern for something external to our selves.” 

 The exhibit, “Second Nature,” is comprised of pieces – both paintings and sculptures, from Dibbs’ series, “Anthropocene” and “Metanarrative”. Both series explore the dynamic and intriguing relationship between man and nature.  

 “Anthropocene” refers to our current geological era, which is marked by the effects of mankind. This body of work explores the complicated relationship between the natural world and mankind’s endeavors.  

 Tania Dibbs is an artist based in the Roaring Fork Valley near Aspen. At the beginning of her career, she was a landscape painter, but upon learning the skill of capturing nature accurately, she realized the style was meaningless and pretty landscapes seemed irrelevant to the status quo. The relationships between Mankind, his endeavors and ambitions, and the physical world are what Dibbs is exploring in this work. 

The show runs until May 20th at Gallery 81435, located at 230 S Fir Street in Telluride, Colorado. Open daily from 12-6pm or by appointment. 

Link to Artist Page

 

Jena Schmidt

Jena Schmidt

February 3, 2016 - March 1, 2016

“I am seeking for a place that may only exist in spirit or imagination through my own experience in nature and on the canvas.” Through her artistic practice, Jena Schmidt explores concepts of direction, wilderness, spiritual guidance, and exploration.  

 When Schmidt’s grandfather passed away, her family inherited his old camping gear. One of the items which was given to her brother was a brass compass. Inside the lid, Schmidt’s grandfather had etched the words, “Black North.” Upon seeing this, her mind lit up imagining this was a clue to an undiscovered place, one only her grandfather knew about. Schmidt later found out the words were just a reminder that the arrow for North on the compass was black, yet she still found Black North pulling at her towards its wild and mysterious landscape. 

 The search for a place Schmidt knows doesn’t exist allows her to build her own myths, and at the same time demystify the unknown when she finds answers. This art process has become a metaphor and guide for navigating Schmidt’s own life. “For me, painting is about a search, though I don’t always know what I am searching for. But as I allow my eyes to be open to possibility, my perspectives are changed both in life and in art and a new piece to the story is uncovered.” 

Jena Schmidt is a Salt Lake City, Utah native. She grew up with a love for art of all genres. She began serious study of fine arts at Utah Valley University in 2006 and graduated from Brigham Young University in 2011 with a Bachelor of Fine Arts in painting. Jena's professional experience has included 7 years of studio assistant-ship and mentoring with professional artist, Hyunmee Lee.  She is currently living and working in Salt Lake City. 

 The show runs through the month of February at Gallery 81435, located at 230 S Fir Street in Telluride, Colorado. Open daily from 12-6pm or by appointment. 

Link to Artist Page

Sharon Feder

Sharon Feder

December 3, 2015 - February 2, 2016

Feder’s exhibition, titled Δ t (delta t = Change in Time) contemplates the geometry and emptiness of structures, both visually and metaphorically. Like silent sentries, they record, observe, and imply change in time. Buildings, as elements in the gigantic still life constructions that form our urban environment, inform both an understanding and unity with both the made and natural world.  

 The paintings, themselves, derive from an intersection of realism, abstraction and surrealism. Simone Kussatz, in ArtScene, writes that Feder’s paintings “are more about color combinations… and how paint is applied than subject matter… at once an aesthetic expression and a spiritual engagement.”  

 A third generation Coloradoan, Sharon studied painting since early childhood, then with Colorado Modernists Ed Marecak and Mark Zamantakis, at the University of Washington in Seattle with Norman Lundin and Michael Spafford and then with Bob Froese of Ouray and Montrose in the 1980's.  

 Her work has been enriched and informed also by decades of technical experience as a set designer, muralist, and sign artist, along with a life richly lived as a mother, mate, and student of nature. Her paintings and murals are included in numerous corporate, private and public collections. 

The show runs through the month of January at Gallery 81435, located at 230 S Fir Street in Telluride, Colorado. Open daily from 12-6pm or by appointment. 

Link to Artist Page